100% MIRROR
With a fake seal of approval, the subtle intervention draws the attention to the mirror as such. Even though it is an objective reflector of light, subjective perception plays a crucial role when it’s used. The mirror displays an external view while we perceive from our internal perspective. (2015)
COPY&PASTE
‘copy&paste’ is a fully analogue art work. The installation contains black ribbons, a white blanket, a metal frame, a fan and a light source. By illuminating the ribbons a shadow is thrown on the blanket which is moving in the wind. The distorted shadowgraph visually interferes with the ribbons whereby a moiré effect is produced. (2015)
ZEBRAL FLUIDS
The nine moiré animations were made with one image put into two layers and shifted trough rotation and by changing scale and position. (2015)
FACES
‘Faces’ is a series of works which contains two anamorphic objects, one realised in glass the other in paper. There is also a sculpture made with wood and acrylic paint. (2013)
**** THIS!
The series contains tasks which provoke questions, mainly about how different explanatory models of the world can or cannot help to understand art. (2014, 2018, 2020)
HEADS
‘Heads’ was a collaboration with the couture label NanMa and the photographer Jonas Hüllsieck which was part of a fashion show and -exhibition. The costumes and masks were inspired by four paintings i created earlier. At the bottom there is a short video about the event. You can find the rest of the photographs from the exhibition here. (2014)
EMULSIFIER
The ’Emulsifier’ is a hand painted anamorphic sculpture made out of 160 glass strips. When the piece is rotated four hidden images appear every 90° angle. The glass strips are stuck into a wooden base with laser cut slits. The images were painted with the same colors used for traditional stained glass windows. All fragments of the images were painted separately on the strips. The piece is about 35x35x35cm in size. (2014)
